All ABBATE, Niccolo dell 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
4634 Deer Hunt  Deer Hunt   1550-52 Oil on canvas Galleria Borghese, Rome
4635 Orpheus and Eurydice  Orpheus and Eurydice   Oil on canvas, 188 x 237 cm National Gallery, London
67632 Rape of Proserpine hi res  Rape of Proserpine hi res   Description Abbate - Rape of Proserpine hi-res.jpg Deutsch: Raub der Proserpina, Öl auf Leinwand, Louvre, Paris English: The Rape of Proserpine, Oil on canvas, Musee du Louvre, Paris, France. Date 16th century
4636 The Continence of Scipio  The Continence of Scipio   Oil on canvas Mus??e du Louvre, Paris
67633 The Continence of Scipio  The Continence of Scipio   Year 1509 or 1512 Technique Oil on canvas Dimensions 127 X 115 cm (50.00 X 45.28 in
20299 The Continence of Scipio (mk05)  The Continence of Scipio (mk05)   Canvas 50 1/2 x 45 1/4''(128 x 115 cm) Seized in the Revolution from the collection of the Duc de Penthievre,Chateau de Chanteloup
40390 The Rape of Proserpine  The Rape of Proserpine   mk156 1552-70 Oil on canvas 196x216cm
67634 The Rape of Proserpine  The Rape of Proserpine   Description Abbate-The Rape of Proserpine.jpg Deutsch: Raub der Proserpina / Proserpina ruft nach ihren Gefährtinnen English: The Rape of Proserpine. Date 16th century
4637 The Rape of Proserpine gfgf  The Rape of Proserpine gfgf   Oil on canvas Mus??e du Louvre, Paris
20303 The Rape of Proserpine (mk05)  The Rape of Proserpine (mk05)   Canvas,77 1/4 x 84 1/2''(196 x 215 cm)Acquired in 1933
43028 The Story of Eurydice  The Story of Eurydice   mk170 1555-1560 Oil on canvas 189.2x237.5cm
ABBATE, Niccolo dell
Italian Mannerist Painter, ca.1512-1571 Italian painter. He was trained in Modena and developed his mature style under the influence of his contemporaries Correggio and Parmigianino in Bologna (1544 ?C 52). There he painted portraits and decorated palaces with frescoes of landscapes and figure compositions in the Mannerist style. In 1552 he was invited by Henry II of France to work under Primaticcio at the Palace of Fontainebleau, where he executed immense murals (most now lost). He remained in France the rest of his life. His mythological landscapes were a principal source of the French Classical landscape tradition, and he was a precursor of Claude Lorrain and Nicolas Poussin.



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